Rawaq draws from the architectural and ornamental clarity of the Middle East, pared down, reinterpreted, and cast in cement. Each tile is defined by a central motif: precise, geometric, and quietly bold. Silhouettes nod to arches, columns, domes, and structural fragments, not as literal symbols, but as distilled forms. The palette moves through oxide pinks, muted olives, and deep clays, tones pulled from desert dusk and mineral memory. Designed for thoughtful repetition or standalone placement, Rawaq is a study in rhythm and restraint. It doesn't imitate history, It repositions it, with intention and tactility.